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NEW THREE-VOLUME SET OF BOOKS


Since the mid-1950s when he first announced himself as a young sculptor to be reckoned with, Anthony Caro has explored a vast range of sculptural possibilities, testing limits and exploring new ideas about the nature of the art form. The Caro pendulum has swung between extremes of linearity and robustness, abstractness and allusion. He has countered his mastery of line and transparency with investigations of our responses to mass and perception of interior and exterior, even experimenting with literally enterable sculptures. He has made rigorously abstract constructions, intimate table-based pieces, monumental constructions like metaphorical architecture, complex multi-part cycles of narrative works and much more. Yet, notwithstanding the range and variety of his work, there are also common threads that run through it all, from the beginning of his career to the present.

The three volumes in this set, each by a different critic, examine the various aspects of Caro’s evolution individually, tracing the permutations of different themes – narrative, volume and mass, line and openness – throughout his work, over time. Each volume is independent and explores different territory, but cumulatively, by tracing these dominant themes, they provide new insight into his achievement. Published by Lund Humphries, October 2009. Each volume hardback, 280x240mm, 152 pages, incl. 80 colour, 10 b&w illustrations - £30 or £60 for the set

Mary Reid: Anthony Caro: Drawing in Space

Karen Wilkin: Anthony Caro: Interior and Exterior

Julius Bryant: Figurative and Narrative Sculpture

 

 

ANTHONY CARO AT THE ROYAL ACADEMY SUMMER EXHIBITION

241st Summer Exhibition
Royal Academy of Arts, Picadilly, London
8 June 2009 - 16 August 2009

 

Erl King (2009)

For the eighth year running, Sir Anthony Caro is represented in the Royal Academy Summer Exhibition. This year he is showing the large new metal sculpture Erl King (2009), which is on display in Gallery VIII, opposite a luminous painting, Days End, by his wife Sheila Girling. Charcoal figure drawings in Gallery I represent the opposite pole of his wide-ranging oeuvre. Another aspect was featured last year when the large architectural work Promenade (1996) on display in the courtyard was complemented by a large-scale model of the Chapel of Light which he has created for the church of St Jean Baptiste in Bourbourg in Northern France and two drawings.

Anthony Caro, who was elected a Royal Academician in 2004, first participated in the Summer Exhibition in 2002, showing the Concerto Series work Flageolet (1999) and the large Table Piece Mint Queen (1990) from the Cascades series. In 2002, he was represented by another Concerto work Tambourine (1999) and the large new work Susanna and the Elders (2001/3) and in 2004 by the Concerto work Side Drums (2000) and the large Emma Scribble (1977/79) as well as three drawings. In 2005, he showed again showed a drawing as well as the table pieces Stand Fast (2000/03) and Fruits (2003/4), Floor Piece C-63 (1976/77) and Table Piece ‘Mouchoir’ from the Cascades Series (1990), which he subsequently donated to the Royal Academy Collection as his Diploma Work. In 2006, he was represented with another drawing and four sculptures: Iced Tea (1990), Polyphemus (2004), Table Piece Soprano (2004) and the monumental South Passage (2005), and in 2007 Sky Passage (2007).
 

 

New Art Centre, Roche Court, Salisbury
From mid-March 2008

 


Millbank Steps (2004)

 

Following the very successful joint exhibition of works by Anthony Caro and his painter-wife Sheila Girling in 2007, Roche Court has been chosen for the display of the important work Millbank Steps, made of corteen steel. The sculpture was commissioned especially for the major retrospective at Tate Britain in 2005 to celebrate Caro's 80th birthday, when it was sited in the Duveen Galleries. A further development of a theme explored in Halifax Steps and Goodwood Steps, it is one of Caro's most ambitious works, once again exploring the relationship between sculpture and architecture. The internal spaces of the structure will encourage visitors to interact with the sculpture and it will look magnificent in the landscape. The sculpture is for sale and the artist hopes it will eventually be sited in a major architectural project somewhere in the world. Alongside Millbank Steps, a number of works from the Flats series (1974) shown last year remain on show at Roche Court.

Press release

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