In connection with the retrospective at Tate Britain in spring 2005, Tate
Publishing issued three books, which are all available in the Tate bookshops and
from
www.tate.org.uk/publishing.Anthony Caro by Paul Moorhouse
Anthony Caro by Paul Moorhouse - an extensively illustrated book
to accompany the exhibition, including an overview of Caro's career by the
exhibition curator Paul Moorhouse as well as critical essays by Michael
Fried and Dave Hickey. |
Interpreting Caro by Paul Moorhouse
Interpreting Caro by Paul Moorhouse - a lively, accessible
introduction to Caro's work from the early 1950s to the present day,
examining the principal phases of his career in detail. Intended both for
the general reader and the Caro enthusiast, the book considers the artist's
working methods, identifies his aims and concerns and proposes ways of
understanding and responding to particular sculptures and areas of activity. |
The Pied Piper of Hamelin
The Pied Piper of Hamelin - a charming colouring book originally
created by Anthony Caro for his grandson, which Tate was given exclusive
permission by the artist to reproduce to coincide with the Tate
retrospective. With the text of Robert Browning's famous poem about the Pied
Piper written in Caro's own hand, it features delightful pencil
illustrations for a child to colour. |
Anthony CaroAnthony Caro - a richly illustrated book published to accompany
the retrospective at IVAM Institute Valencia d'Art Modern in Spain in summer
2005, with articles by Consuelo Ciscar, Kosme de Baranano and Josep
Salvador, excerpts from the artist's notebooks selected by Andrew Dempsey
and detailed chronology and bibliography by Rachel Tant and Krzysztof
Cieszkowsky. Spanish and English text. Available from
www.libroarte.com |
To mark Sir Anthony Caro's 80th birthday, Lund Humphries has published
the first comprehensive book on the sculptor's life and career. It is
written by Ian Barker, who has worked with Caro for many years, and was
granted access to a profusion of previously unpublished correspondence with
critics, including Clement Greenberg and Michael Fried, and fellow artists,
as well as previously unseen images from Caro's personal album. |
To accompany an exhibition of new work at Kenwood House in July 2004,
Merrell published a book by Julius Bryant, the exhibition curator. |